I’d say my favorite track is “Linda,” a bittersweet ballad about losing someone right in front of your eyes. They’ve been touring non-stop for several years, and their latest album I Don’t Run came out in April. Hailing from Madrid, the four-piece band creates tunes that welcome call-and-response melodies from its two lead singers, playful rhythms, and surreal lyrics that are at once assertive and introspective. Hinds is turning garage rock on its head. Their real lives, though, are surely more interesting than this.īOTTOM LINE Young, hip and commendably diverse, but dramatically DOA.From left to right, the girls of Hinds: vocalist/guitarist Ana Perrote, Vocalist/guitarist Carlotta Cosials, bassist Ade Martin, and drummer Amber Grimbergen. Is it possible that young skater girls will tune into “Betty” just to see themselves represented on screen? Maybe. “Betty” does tend to exoticize its multicultural, pansexual, street-urchin cast - Moselle’s camera lingers on them lovingly - but nobody thought to give these characters much in the way of real personalities. “Give me food stamps, give me WIC vouchers!” The satire feels far too sketch-comedy for this docufiction series, and what’s more the show may have just skewered itself. “Give me low class - no privileges,” sneers the obnoxious fashionista at the studio. The show’s biggest misstep comes when Indigo is plucked from the skatepark to be a model. The former storyline is left dangling the latter unfolds so haltingly and confusingly that you may wonder why “Betty” brought it up. In another, Janay tries to make sense of a sexual-assault accusation against her good friend Donald (Caleb Eberhardt). In one episode, we learn that Honeybear (Moonbear), a gay provocateur who wears open shirts with pasties, is carefully closeted at home. Only rarely does “Betty” tackle a compelling topic. Essentially a lesbian-skaterversion o f Jeff Spicoli from “Fast Times at Ridgemont High,” Kirt was a highlight of the original film.īy clicking Sign up, you agree to our privacy policy. It’s also great to see Nina Moran return as Kirt. It’s a funny and very fine opening image, one that promises an up-close view of a rugged urban subculture. MY SAY The first thing we see in “Betty” is the badly bruised butt of Kirt, a rough-and-tumble girl who has paused to take a proud selfie of her injury. For its six-episode first season, the half-hour “Betty” airs in a late-night slot befitting its frank talk, sexuality and drug use. Now the inevitable has happened: “Skate Kitchen” has becomes an HBO series, retitled “Betty.” (That’s slang for an attractive female, as fans of “Clueless” may remember.) The main cast is back, again directed by Moselle, this time with a revolving cast of writers. Its heroine, an amiable tomboy named Camille, was played by Rachelle Vinberg, a Long Islander whose Instagram account gave the movie its cheeky title - a play on outdated notions of female domesticity. Featuring a nonprofessional cast of New York City skater-girls whom Moselle found on the subway, “Skate Kitchen” blended documentary and fiction to tell a simple coming-of-age story with the kind of street-level authenticity that typically eludes Hollywood. WHAT IT’S ABOUT Teenage girls of all colors and orientations bonded over a love of skateboarding in “Skate Kitchen,” the 2018 indie hit from writer-director Crystal Moselle (“The Wolfpack”).
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